#the pigeon is beeker and beeker is the pigeon
Explore tagged Tumblr posts
Text
The last six or so months of my life, in live action, folks đ€Ł. But it's okay, because I'm picking up the pieces and soldiering on! (And come on, Beeker is adorable).
Today has gone precisely like Beeker the Muppet attempting ODE TO JOY.
youtube
27 notes
·
View notes
Text
Devotion: Chapter Thirteen | F.H
Paring: Five Hargreeves X Fem!Reader (Series)
Summary: In which the Hargreeves siblings come together to stop the end of the world.Â
Disclaimer: I donât own the Umbrella Academy. All rights go to the creators of the show, the comics and everyone in between. Gifs used in these chapters are NOT mine and are/were found on Pinterest.Â
Warnings: Cursing, Sex, Nudity, Violence, Gore, Alcohol, Drugs, Smoking, Intense Scenes, and Abuse (if I missed any let me know)
âAssassination & Assault
âYou sound like a lunatic.â
They walked on the dark Dallas streets together. Five was going to spatial jump, but Y/n had stopped him. She wanted some time outside after being enclosed for so long. The humidity made her hair frizzy, and her hands were sweating, but she didnât care. She was outside, and it was beautiful.Â
Five was watching her. He had let go of her hand to allow her to roam freely. She twirled on the sidewalk and skipped around. It was amusing to watch her so happy to be outside. People were giving them strange looks, but neither of them cared. They were just comfortable being with each other again.Â
Five saw the apartment come into view and watched her run-up to the door. Y/n held the door open, and he chuckled before walking through it. They both walked up the stairs and made it into the apartment. Y/n smiled happily as Five opened the door to the familiar kitchen.Â
The sun was rising, and an adult male was in the kitchen making coffee. Y/n dropped her smile and stared at him. Five placed a hand on her shoulder, âElliott, this is Y/n.â
He turned to her, and his hair was dusty brown. His eyes were ocean blue, and he seemed lanky. His shirt was a weird patterned button-down, and his pants were khakis, âYouâre arrival number five.â
She tilted her head at him and held a hand, âItâs a pleasure to meet you, sir.â
âThe pleasure is all mine.â He shook her hand with a smile.Â
Elliott began making a bowl of cereal, and Five went into the loft. Y/n began opening different cabinets to try and find a mug. Eventually, she found a shelf full of them. She waved her hand, and a sky blue mug floated to her. Y/n grabbed the handle with her left hand and waved her right.Â
He watched in awe as the coffee pot flew smoothly to her right hand. Y/n poured the coffee into the mug and placed the coffee pot on the counter. She walked into the loft with Five to see him looking at the pictures on the corkboard. Elliott wasnât too far behind with his bowl of cereal.Â
âElliott,â Five called, âDid you develop these photos yourself?â
âOf course.â Elliott said, âCan't exactly drop that stuff off at the neighborhood Fotomat. Government has eyes everywhere.â
Y/n took a sip of her coffee, watching them interact. She was sitting in the corner to the left near the radio, listening to both people. She furrowed her eyebrows, coffee nestled in her hands, âMy apologies, but I donât happen to see a dark room.â
âYeah, I converted the hallway closet.â She nodded her head.
Y/n watched Five pull a yellow box from his pocket. He looked around and found a pen to scribble something out. Y/n put her knees beneath her chin and warmed her hands with the mug in front of her face. She took another sip and continued to look around. She found another corkboard.Â
She stood up and walked toward it while the two boys were talking. The corkboard had photos of the newer arrivals. There were pictures of Vanya and Five. The image of Five was clear and the only one in color. He was looking directly at the camera. His brown hair was obscuring some of his face. Y/n put the mug down and untacked the photo before placing it in her pocket.Â
Y/n turned around and sat at the desk chair, taking another sip of her coffee. She was listening to Elliott rant, âWell, I mean, I'm running low on acetic acid. Beeker's Cameras is open today, but it's two miles away. I mean, I'd have to take the bus. On the other hand, Gibson's is only ten blocks away, but I gotta cut through the park, and there's pigeons-â
âElliott.â
âIt's like five, maybe six hours.â
She had just finished her coffee when the radio began talking again, âAttention, all units. We have a code 3-15 at the Holbrook Sanitarium.â
Y/n sighed and held up her hand, moving the mug to the sink in the kitchen. She heard it clatter safely in the basin and tucked her hair behind her ears. Five looked confused, âThe hell is a code 3-15?â
âMmm, fugitives on the run.â
âFugitives on the run.â
Y/n and Five both got closer to the radio, âTwenty-five patients still at large. Many are considered armed and dangerous.â
âOh, Diego.â
âOh, shit!â Y/n exclaimed, âDiego!â
âOh, who's Diego?â
Five snickered, âImagine Batman, then aim lower.â
âYou get started on that film.â Five said, âWeâll be back as soon as we can.â
Y/n sprinted through the loft and the apartment door. Her shoes made echoy clicking noises through the stairwell, and Five had trouble keeping up with her. She kept running and didnât stop. The sun made her sweat, and her hair was sticking to her forehead.Â
She was blocks away from the apartment when Five spatial jumped in front of her, âY/n.â
âFuck,â She jumped, âDonât scare me like that, you fucking dipshit.â
He chuckled, âYou were in such a hurry you forgot I can spatial jump.â
âYou know, sometimes,â Y/n began, âI really donât like you.â
âYouâve never really liked me, though,â Five said, âHave you?â
Y/n took his hand in hers, âEnough chit-chat letâs go find Diego.â
âYes, maâam.â
They were both encased in blue. Y/n let a chill run over her body from the electricity and took in her surroundings. Five had put them near an office building made of brick near downtown Dallas. Five was looking around too. Y/n saw a black car. She gaped at it for a second. Diego had long hair and was in the car with some lady.Â
âRight there, Five.â Y/n pointed at the black car.Â
Five kissed her cheek, âYou are extraordinary.â
He took her hand in his and spatial jumped them into the car. Y/nâs cheek was burning, and she was in shock. They were in the backseat of the vehicle. Y/n was sitting behind Diego, and Five was seated on her left. She had to admit, Diego looked good with long hair.
âThen why are you doing this?â Y/n perked at the British accent.
âBecause he is an idiot.â
Y/n watched the woman jump in surprise. She chuckled. Five loved making an entrance. The woman stared at Y/n and Five. Diego barely flinched and turned around to see Five behind him, âWho the hell are you?â
âHi.â Five smiled and waved, âIâm his loving brother.â
âAnd you?â She looked at Y/n.Â
Y/n tilted her head at the woman but didnât say anything. Diego growled, âWho left me to rot in the nuthouse.â
âTo protect you from yourself.â Five replied.Â
âThat's quite sweet.â
Y/n continued to look at her. She had brown skin and shoulder-length brown hair with caramel highlights. She had a white turtle neck and some dress on top. Her eyes were dark brown. The fringe in her hair was uneven, and Y/n swore she remembered those eyes from somewhere.Â
âOkay, both of you, out.â Diego stared at the woman and Five.
Five leaned forward, âLose the crazy lady and come with us. We have important business.â
âI am not going anywhere with you.â
âOkay, fine.â
Y/n watched Five observe the window before smirking a little. He scooted toward the open window, âOfficer!â
Diego grabbed Fiveâs collar hastily. Y/n shoved herself against her car door, âHey! What are you doing?â
âI hear there's a reward out for you two.â He smirked.Â
âHe's bluffing.â
Y/n scoffed, âTrust me when I say he isnât.â
Y/n watched both men stare at each other. She found herself hypnotized at Fiveâs side profile. His jawline was sharp, and his skin was flawless. His nose was perfectly sloped and maybe a tad off-center from a mission. His eyes were the best shade of dull emerald.Â
âHe's not.â
Diego looked at Y/n up and down. She put her head down, looking at her lap, âFine. I'll go with you, but only for her.â
Five smiled, and Y/n looked into Diegoâs eyes. She saw the regret in his eyes. The cut on her cheek was proof enough that she had been through hell the past seventy-five days, âWhat about me?â
âAnd I'm bringing the crazy lady.â
Y/n sighed, âWhatâs your name, then?â
âLila Pitts.â
Five had him and Lila switch places in the car. Lila sat beside Y/n, and Five began driving to Elliottâs apartment. Y/n grabbed the seatbelt and clicked it into the buckle. She didnât look at Lila and looked out her window the entire drive. It was quiet.Â
Y/n could see Fiveâs concern on his face from her lack of speaking, and she could only assume Diego had the same look on his. She heard something, and then something tapping her leg. It was the woman next to her, and Y/n furrowed her eyebrows.Â
Then she saw Diego offering her a knife from the front seat. Y/n smiled and took the knife from him. She twisted it in her hands. It took about thirty minutes before they were outside the apartment. Five parked the car at the main entrance, and they all exited the vehicle.
Y/n put the knife in the other pocket of her pants before embracing Diego from behind. Her arms went around his torso, and he turned around so he could put his arms around her shoulders. One of his hands was on her back, the other in her hairâHers around his neck.Â
âI missed you.â
âI missed you too, sis.â
They parted, and Y/n smiled. Y/n walked to the door on the main street. She hadnât seen the bottom of the loft before. It was almost empty except for some televisions in the center of the room and on the sides. The walls were primarily white. There were two staircases on either side leading up to the loft.Â
Five and Y/n climbed up the right side. When they got to the main loft, Elliott was holding a shotgun in their direction, and Y/n sighed, âFor fucks sake.â
âWhere did you get the film?â Elliott asked, ââThe Frankel Footage.â The truth this time.â
Diego and Lila had climbed up the other set of stairs, âYou two know this lunatic?â
âNew acquaintance.â Five shrugged, âHe's harmless.â
Lila looked concerned, âAre you sure about that?â
âAre you, or are you not an enemy of the people?â
âSuch an open-ended question, yeah.âÂ
âReally depends on the people.â
âI do what Iâve gotta do.âÂ
Y/n chuckled lightly at their overlapping voices, âYou move one more muscle. I will blow your brains out.â
âOh, yeah?â
âY/n,â Five warned, âDonât tease.â
She laughed. Diego turned to Five, âYou want to take this, or should I?â
âNo, weâve got him.â
âHey, LilaâŠâ
Five spatial jumped forward and moved the barrel to the ceiling. Elliott clicked the trigger, but the bullet went through the roof, and Y/n grabbed the shotgun. She clicked the round from the gun, and it fell to the floor. Y/n threw the gun onto the sofa.
âWhat the hell just happened?â
Y/n sighed. Five walked away. Diego grabbed Elliott and brought him to a chair. Lila began tying him to it. Y/n sat on the couch opposite the gun. She pulled the knife from her pocket and began twirling it in her fingertips. She heard clattering around the apartment and continued to lie on the couch.Â
She was beginning to get tired from running around all day. Her eyes fell, and the knife lay on her stomach, âY/n?â
âYeah?â Y/n rubbed her eyes and saw Five standing in the archway to the kitchen.
âI found the film and a projector,â He continued, âI figured youâd wanna see it too.â
Five walked toward her and held out a hand. She took it, and Five wrapped both arms around her. She tensed at the affection but melted into his embrace. Her arms went around his torso, and his were around her shoulders, âI know youâre tired. Once we solve this, you can sleep.â
âThank you.â
They pulled apart, and Five took her hand in his. They walked into the kitchen, and Y/n found the screen in the archway. She jumped and grabbed onto the handle. It pulled down quickly, and Five placed the film into the projector. Lila had rolled Elliottâs chair out to the kitchen and began painting his nails.Â
Five stood beside the projector, and Diego hopped onto a counter. Y/n hopped up beside him and leaned her head on his shoulder. The video was grainy, and Y/n cringed at the old quality. She still wasnât used to being in the sixties yet, âIs it on?â
âI don't know.â
Y/n watched the two seniors trying to figure out the camera, âWhat do you mean? There's an "on" button.â
âJust-There's something over- that jigga-ma-thing, whatever.â
âI hit the jigga-ma-thing.â
âOkay, well, just- Give it to me. I know how to do this.â
The man was rushing, âAll right, here. Here. Hurry up.â
âOkay, all right, let's seeâŠ.â
âThey're so cute. I love old couples.â Lila interjected, âI'm always so proud of them for not murdering each other.â
Y/n narrowed her eyes, âYou know what I love? Peace and quiet.â
âWhy are we watching this?â
âShh,â Y/n said, moving her head further into his shoulder.Â
The recording began talking again, âYeah, I... I'm Dan Frankel. AndâŠâ
âI'm Edna Frankel.â
âWe are in Dallas, Texas, to see the president. Today's date is November 22, 1963.â Dan said.Â
âWell, that's six days from now,â Lila said.
Diego moved forward, and Y/nâs head hit a cabinet, making her groan, âHoly shit. This is it.â
âThe grassy knoll. Kennedy's about to get shot.â
âStop moving.â Y/n was falling asleep on Diegoâs shoulder, but he continued moving, âHow do you have this?â
âHazel died to get me this footage.â Five said, âIt must be the key to stopping doomsday.â
âHazel?â
âLong story.â
âWhat's doomsday?â
Y/n was ready to murder everyone in the room, âLonger story.â
âWhat exactly did he say to you?â
âWell, he was killed before he could explain.â
âThatâs always nice.â Five saw Y/n staring at him innocently, âBut whatever he wanted us to see, it's on this film.â
The man on the recording began talking again, âThis is very exciting.â
Gunshots echoed through the projector speakers, and Y/n snickered, âIs it still exciting?â
âOswald,â Diego stated.
Y/n watched the people in the video panick. They were running everywhere and anywhere. Citizens were crying out about the president. In the background, Y/n saw something else unique. She saw a figure holding a black umbrella in the middle of a sunny day.Â
âOh, no.â
Y/n watched Five rewind the footage and then paused it. He moved the cart backward to zoom out the image, and Y/n hopped off the counter. Diego followed closely behind her. They all moved closer to the screen to get a better look. She sighed and took the figureâs entire stance. It was male, and he wore the same clothes she had seen many times before.Â
âThis can't be.â
âOkay, you gonna fill me in now?â Lila queried, âWhat the hell is this shit we're watching?â
âNo, that's impossible,â Diego said.
Y/n shook her head, âObviously not.â
âWhat... What is it?â Elliottâs voice was muffled.Â
âDad.â Y/n heard herself, Diego, and Five say while staring at the figure on the projector.
Five took steps away from the screen and began pacing behind the projector. Y/n sighed and watched Diego lean on the archway Five was pacing near. She started biting her cheek. Five was obviously not happy with the outcome of the footage. His face was scrunched, and Y/n could see him scratching the back of his neck.Â
Y/nâs body was obscured from the light in the projector, but her shadow was visible on the screen. She watched Diego pull out a knife and toss it in his hands, âOf course, Dad would be involved in the assassination. I should've known.â
âNo,â Five retorted, âYou're jumping to conclusions.â
âWhat else is he doing standing on the grassy knoll, holding an open black umbrella on a sunny day in Dallas at the exact same moment the president gets shot?â
âIt doesn't look good,â Five replied, âI admit.â
Diego scoffed, âNo, he's the signalman for the whole goddamn thing.â
âEasy, Diego.â
Y/n sighed, âYouâve got to be kidding me.â
âNo, it makes sense.â Diego said, âThis is what Hazel was obviously trying to tell you. We have to stop Dad from killing the president.â
âDiego, stop it.â Y/n scolded, âYou sound like a lunatic.â
âDad was no Boy Scout, but presidential assassination?â Five asked rhetorically, âIt's never been his thing.â
âHow would you know?â Diego sneered, âYou skipped out on his golden years.â
âSkipped out?â Five looked appalled, âYou think I had it easy, Diego? I was alone for 45 years.â
Y/n walked into the loft. She sighed before looking around the living area. She walked over to the bookcase on the wall and began reading the spines. Nothing seemed helpful. She walked to the office side and scoured through Elliottâs desk. When she opened a drawer, she saw a thick book, âGreater Dallas and Nearby Points Telephone Directoryâ.
Y/n smiled to herself, âHey, dumb and dumber. I found your solution.â
She held up the book as Diego and Five turned to her. Her shoes clicked across the tile as she walked into the kitchen. The book hit the table with a loud bang, and Diego opened it immediately, âLet's start simple. His name.â
Y/n looked over Diegoâs shoulder to glimpse the tiny print as he murmured the last name. Diego cursed when he found nothing, âShit, nothing here.â
âTry his company,â Five said, âD.S. Umbrella Manufacturing Co.â
Diego rolled his eyes, âYeah, I know the name.â
He flipped through the pages again. Y/n squinted her eyes to see the bolded print. She was about to read the left side when she caught the name, âHoly shit.â
She pointed at the name, ââD.S. Umbrella. Eighty-two Olive.ââ
âLet's go.â
Y/n waved her hand, and the book closed softly. Diego pulled the screen for the projector back into the archway, and Y/n followed them, âHe okay to leave here like that?â
âYeah, he's fine.â Five shrugged, âWhat about the girl?â
âShit.â
Y/n watched Diego walk off. She took small steps to the railing down to the main floor. She could hear Fiveâs steps behind her and saw him lean his back against the metal railing. His arms were crossed, and his eyes were staring at her side profile. Y/n tucked her hair behind her ears.
âYouâve been uncharacteristically nonverbal,â Five stated, âAny reason as to why?â
She tapped her fingers against the cold metal, âI donât trust Lila.â
âNeither do I.â Five replied, âBut youâre still never this quiet.â
âSomething about her is familiar.â Y/n turned to him, âIâve met her before, but I canât remember where or how.â
Five smiled softly, âIâm sure itâll come to you. It always does.â
âI suppose,â Y/n sighed, âItâs just driving me crazy.â
âI can see why,â Five looked straight in front of himself, âYouâve always been to remember everything, and the moment you canât, it makes you crazy.â
âYeah,â She swallowed.
They heard footsteps not too long after, âCome on.â
Diego began down the stairs, and Y/n followed close behind. Their shoes made satisfying clicking noises, and Five closed the door behind them. The hinge clicked into the lock, and Y/n followed Diego to the car. The sky was dark and glittered. Y/n wondered if she could ever see a real aurora borealis. Sheâd seen them in her dreams and somewhere else, she couldnât remember.Â
She opened the backseat and sat inside. Y/n grabbed the seatbelt to her left and buckled it in. It made a clicking noise, and she sighed. Diego turned the ignition, and the car rumbled. She could feel the vibration in the car seat. It wasnât an uncomfortable car. It had a light leather interior and a light rug for the flooring.Â
âY/n,â Five called.
She looked up. He was turned around, and something was in his hands. It was tiny and looked like a black ring of some kind, âI found it in Elliottâs room looking for the film. I thought it could help your mind occupied.â
Y/n took the ring and realized it was a black hair tie. It was thoughtful. It was no Rubik cube, but it would work for their time in the sixties, âThank you, Five.â
He turned around in his seat, and Y/n smiled at the hair tie between her fingers. She twisted it between her fingers and allowed it to fling safely. She only looked up occasionally to see the street lights or darkness around them.Â
The manufacturing company wasnât too far from Elliottâs. It was only a fifteen-minute drive. However, the surrounding area was completely dark and vacant. Y/n tilted her head at the darkness. She looked through the window at the stars and smiled at them. It was so dark that the constellations were almost prominent.Â
The car jerked softly, and the key was pulled from the ignition. It kicked Y/n from her gaze, and she slid the hair tie around her wrist. Y/n heard the doors click unlock and opened her door. The humid air and coolness of the night slid against her visible skin. She shivered slightly before closing the car door behind her.Â
âThis is it.â
Y/n walked across the asphalt to the front of the building. There was a narrow sidewalk to the glass entrance. Diego and Five stood behind her on either side, ââD.S. Umbrella.â This is it.â
Diego began walking toward the doors. Y/n watched Five hesitate, moving closer to the building. His hands were in his pockets, and his eyes narrowed at the facility. She tilted her head at him. Five shook his head slightly before looking down at his feet.Â
Y/n walked toward Diego and leaned against the white pillar. Most of the building was hospital white, and it made her cringe. The last time she was at a hospital was when Vanya had almost killed Allison. Y/n shivered, and Diego gave her a questionable look. She shrugged and motioned toward Five. Diego turned around to see Five staring at the ground.
âYou okay?â
âYeah, fine.â Five said, âJustâŠ.â
Y/n saw Five snap back into his body. He started walking toward the other side of the doors, and Diego pulled a knife from his belt, âHow long's it been since you've seen the old man?â
âForty-five years.â
âThat's a trip.â
Five sighed, âNo kidding.â
Y/n tucked her hair behind her ears and watched Diego kneel on the sidewalk. His hand was trying to fiddle his blade into the lock. Five placed his left shoulder against the pillar and leaned his weight against it, âYou know, when I was stuck out there in the apocalypse, there wasn't a day that went by where I didn't hear his voice in my head.â
âWhat was he saying?â Y/n asked.Â
ââI told you so.ââ Five said.
Diego scoffed, âWell, if Dad's here, he's never met you before, so he can't say âI told you so.ââ
âI'm sure he'll find a way.â Five shrugged.Â
Five sighed. Y/n was still watching Diego attempt to pick the lock when she saw blue in front of her. She looked up to see Five gone. Instead, he was behind the glass clicking open the lock. The door swung open, and Five held it open for her and Diego.Â
âRight.â Diego said, standing back up, âGotta remember that.â
Y/n followed him, and the door closed behind her. The room was dark, but it seemed to be a pale yellow color. Y/n heard a click and turned to see Five turning on a lamp. It turned on for a second before it flickered off. She sighed. There were cushioned chairs with a table and a light on top. There was a door on the left and right sides of the room on the far walls.Â
âShit.â Five cursed.Â
Diego shrugged, âGuess Dad wasn't much for home decor.â
Five punched a pillow on a cushioned chair, and dust flew. Y/n coughed softly, âFeels more like a front.â
âA front for what?â
âNot quite sure.â
âWell, I'll take the left,â Diego said, opening the left door, âYell if you, uh... get in trouble.â
Y/n sighed. She watched Diego go through the door, closing with a soft click. Five walked toward the door on the right. He turned the knob, and it clicked open, âWell, Y/n, looks like weâre paired together again.â
She scoffed and walked through the door he was holding open. The door shut behind them, and the hallway didnât seem long. It had four doors, two on each side before parting into something else. Y/n walked toward the door on the left and tried to open it, but the room was locked. She heard a click and saw Five opening the door on the right.Â
He motioned for her to follow. Y/n was behind him and flicked on the switch to the room. Inside was a painting across the back wall. It was of a small town, and cabinets were beneath it. There was a loveseat, and a small armchair with mannequins in eat spot. A lamp was on in the corner.Â
âFor fucks sake,â Y/n whispered, âWhy canât anyone ever be normal.â
Five turned to glare at her, âThat includes you, Five with your mannequin Delores.â
He scoffed before walking into the room. To the left was another part of the room. It looked like a kitchen. There was a square white dining table with three chairs. On one side was a fabric booth. Three mannequins were sitting at the table. The room had a blue sky with clouds painted on the windows. Y/n saw a camera on a tripod, and Five looked through folders on a desk to the left.Â
Y/n walked further into the room. To the right of the room were more cabinets. She opened one of them to find medical supplies. Inside were adhesive tape, gauze, super glue, elastic wrap bandages, masks, cotton, rubbing alcohol, peroxide, syringes, and IV bags. Most of the supplies were bought bulk, and Y/nâs eyes observed the valuable materials.Â
She grabbed a box of gauze and tore it open. Inside were small packs of cloth. She took three of them and put them in the waistline of her pants. Y/n stood on her toes to grab some of the adhesive tape. She sighed before pulling at the neckline of her shirt and putting it in her bra.Â
âY/n.â Five called softly, and Y/n shut the cabinet.Â
She turned to see Five holding up a folded piece of paper, âItâs an invitation to a gala.â
âNeat,â Y/n said.Â
She watched him put the folded piece of paper back into his blazer. Then a metallic clattering echoed through the room, and Fiveâs hand instinctively jumped out before her. She tilted her head at him, and he put it back at his side, scratching his neck slightly. Y/n saw his cheeks faintly pink.Â
Five began to walk toward the noise, and Y/n followed slowly behind him. She heard some form of chittering and a soft grunt. Then an animal was standing in front of them. It was a small brown chimpanzee wearing pajama pants. Y/n tilted her head. He was so tiny compared to when she had last seen him.Â
âHi.â Five whispered, âPogo. Hey.â
Y/n watched him take more steps toward the chimp before kneeling to its height, âFive, please be careful.â
âIt's all right, little buddy.â Five cooed at the hooting chimp.
She smiled softly, seeing Five be so gentle. He didnât want to startle the young animal, and Y/n had never seen him be so sweet. It warmed her heart. Pogo took tiny steps toward Five, âPogo. It's good to see you.â
Five went to touch the young chimp, and it panicked. Y/n watched the chimp grab Fiveâs neck and yelped in pain. The chimpanzee screeched as he ran away from them. Y/n saw Five fall onto the floor, and she heard glass shatter. She shook her head and knelt before Five.Â
His hand was on the bleeding wound, âDiego!â
âDiego!â He was struggling to get up.Â
âFive,â Y/n placed a hand on his shoulder, âStop moving.â
Five sat on his calves, and Y/n was in front of him. She grabbed a package of gauze from her waistline and ripped it open. She sat up on her calve and tilted his chin toward her face. Y/n took his right hand from the wound and gently placed the folded gauze on the bleeding. Then she put his hand back onto his neck where the soft cotton was.Â
âWhere did you find those?âÂ
âThis room while you were looking through papers.â
Y/n stood back up and offered Five her hand. He used his unoccupied hand to take hers. Y/n watched him rise to his full height, âJust until we can get back to Elliottâs, okay?â
âYeah.â
âOkay,â Five breathed, âLetâs get the fuck out of here.â
#five x you#five x reader#five x y/n#five hargreeves fluff#five hargreeves x reader#five hargreeves x y/n#five hargreeves#five hargreeves x you#number five x you#number five x y/n#number five#number five x reader#tua#tua au#tua x reader#tua fanfic#tua five#The Umbrella Academy#the sparrow academy#devotionâ five hargreeves
104 notes
·
View notes
Text
The Frankel Footage
The Frankel Footage
Chapter 12 of What to Expect When Youâre Expecting the End of the World
Pairings: Umbrella Academy & Number Eight!Reader
Reader Gender: Gender Neutral
CW: Anxiety, stabbing
Word Count: 3,767
Summary: (2x02) The Frankel Footage reveals some disturbing questions about the future.
Visions and the Frankel Footage are in italics.
A/N: This took me way too long to get done. But here it is! Finally!
Masterlist | Series Masterlist
Link: https://redhoodie.tumblr.com/post/625195639950737408/the-umbrella-academy-2x02-the-frankel
Five came back to the car in a rush. He looked frazzled and a bit upset. âLetâs go.â He said in a tone that didnât leave anything up to debate. You didnât say anything as you started the drive back home.
It was quiet for a few seconds before he spoke again. âDo they all blame me?â His voice was quiet and soft, guilty.
âLuther does, obviously. Diego maybe a bit. But Allison doesnât from what I can tell.â You paused, sparing him a glance. âI donât. You saved our lives. How could I?â
Five looked down at the yellow box in his hands. âLutherâŠâ He started but immediately trailed off.
âLuther went through a lot in the last year. He was finally starting to settle. Itâs not your fault.â You replied.
Five sighed and looked out the window. Silence filled the car for a few moments. Then, he raised the yellow box. âI need this developed. Hazel died getting it to me.â
You glanced at it. The importance of the object came off of it in waves. âElliot can help. He has a darkroom.â Five nodded. âBut in the morning. First, sleep.â
âWe only have 10 days.â Five argued with a soft yet angry voice.
âEnough time to sleep.â You replied in a âthatâs finalâ tone. After that, Five didnât argue and leaned against the passenger seat as you drove to your place. Lucky for you, you had a spare bed just for him.
The next morning, you took Five across the hall to Elliottâs. Five was examining the photos of your siblings. You sat on the adjacent couch, coffee in-hand. Elliottâs home blend held a special place in your heart.
âElliott, did you develop these photos yourself?â He asked. His voice was surprisingly soft. Heâd been speaking like that more often and it made your wonder if he was alright. Seeing your family die to another apocalypse wasnât easy and it was only normal to feel the effects.
âOf course.â Elliott replied. He was standing just behind Five, eating cereal. âCanât exactly drop that stuff off at the neighborhood Fotomat. Government has eyes everywhere.â
âI didnât see a darkroom.â
âYeah, I converted the hallway closet.â A loud squeal came from one of Elliottâs machines.
Five marked up the box with a pen before handing it to him. âCan you develop this?â
He hummed and turned from the squealing machine. He took the box and looked it over. âHuh. âFrankel Footage.â Friends of yours?â
âCousins on my robot motherâs side.â Five deadpanned. You snorted and tried not to laugh. âCan you do it or not?â His smile fell.
âSure I can.â
âHow long?â
âWell, I mean,â Elliott turned around and started walking, âIâm running low on acetic acid. Beekerâs Cameras is open today, but its two miles away. I mean, Iâd have to take the bus. On the other hand, Gibsonâs is only ten blocks away, but I gotta cut through the park, and thereâs pigeons-â
âElliott.â You interrupted his rambling. âHow long?â
He spun around to look at Five. âItâs like five, maybe six hours.â
Suddenly, the radio squealed. You bolted up and set your coffee on the table. âAttention all units, we have a code 3-15 at the Holbrook Sanitarium.â The man said.
âDamnit, Diego.â You muttered as you walked over to the radio.
âThe hell is a code 3-15?â Five asked.
âMmm, fugitives on the run.â Elliott answered through his cereal.
You turned up the radio. Five leaned over your shoulder. â25 patients still at large. Many are considered armed and dangerous.â The radio continued.
âOh, Diego.â Five whispered in anger.
âOh, whoâs Diego?â Elliott, who was now leaning down next to Five, asked.
âImagine Batman, then aim lower.â He said, lowering his hand as he talked. The radio continued to chatter and Five walked away. âYou get started on that film.â You walked after him and grabbed your keys off the table.
âI know where heâs at. Weâll be back as soon as we can, El!â You called out as you left.
You parked the car just out of view from Diegoâs stolen car. It was parked in front of Lee Harvey Oswaldâs place. You rolled your eyes and turned to Five.
âYou want to talk some sense into him or shall I?â You asked, taking the keys from the ignition. From what you could see, Diego and the woman from the asylum were arguing in the front seat.
âI can flash us both in.â Five replied.
You leaned back in your seat and grabbed his hand. âAlright. Ready whenever you are.â
With a flash of blue electricity, you were in the back of Diegoâs car.
âThen why are you doing this?â The woman asked.
âBecause he is an idiot.â Five said. The woman jumped and spun around to look at you.
âWho the hell are you?â She asked.
âHi.â Five waved. âIâm his loving brother.â
âAnd his loving sibling.â You added, smiling.
âWho left me to rot in the nuthouse,â Diego commented, glaring back at you.
âTo protect you from yourself.â Five seethed.
âThatâs quite sweet.â The woman said, looking at Five. An unsettling feeling settled in your stomach about the way she was looking at him.
âOkay, all of you, out.â Diego interrupted.
Five leaned in closer. âLose the crazy lady and come with us. We have important business.â
Diego rolled his eyes, his whole body exuding annoyance. He looked forward. âI am not going anywhere with you.â
Five glanced at you, jaw tight. His eyes drifted out the window. A police officer was walking just across the street. You raised an eyebrow at him. Was he thinking what you were thinking?
âOkay, fine.â He subtly nodded.
So, you leaned closer to the window.
âOfficer!â You yelled out.
âHey!â Diego grabbed your shirt and pulled you away from the window. You turned. He was leaning over the front seat and was inches from your face. âWhat are you doing?â
You didnât get a chance to respond before Five was interrupting. âI hear thereâs a reward out for you two.â
âHeâs bluffing.â The woman said.
Diego studied Five and you. Five held his jaw tight. It was a âdonât fuck with meâ face if youâve ever seen one. âHeâs not. Fine. Iâll go with you.â
âWhat about me?â
You ripped your arm out of Diegoâs grasp and looked her over. Your gut, your powers, were telling you not to trust her. You werenât quite sure why yet, but you were going to find out.
Diego glanced back at her. âAnd Iâm bringing the crazy lady.â
âFine.â You replied before Five could. If she was bad news, you wanted her close. Keep your enemies close and all that.
You followed Five, Lila, and Diego up the stairs to Elliotâs loft area. You were almost up the stairs when the familiar feeling of a vision pushed its way into your eyes.
The moonlight sky illuminated the mansion. Crickets chirped. A man walked toward the house. He was wearing a white coat with blue accents, white pants, and white shoes. His brown hair was long and he had a beard. The man looked tired, exhausted really. He was just glad to finally have a homely place to sleep away from the suffocating cult heâd left behind. The man, while incredibly changed, looked familiar. Klaus.
He grabbed a bird and broke the window. Then, he reached inside and turned the lock. He swayed as he walked inside. All the furniture was covered in white sheets. It was clear no one had lived there in some time. He walked into a room and pulled a sheet off the wall, revealing a painting of Klaus.
âNo talky, no talky. Just sleepy time now.â Klaus said to air â no, Ben â and climbed onto a sofa. âSleepy time.â He laid down and glanced up at the portrait. He sighed heavily and rolled over. âPiss off.â
A gunshot broke you from your vision roughly. It was as if someone dunked you in cold water. You gasped and blinked, Elliottâs place flooded your vision.
You rushed up the stairs to see Diego ripping a gun away from Elliott and debris raining down from the ceiling. âUm⊠What the hell?â
Five glanced at Elliott and with quick work from Diego, the round clattered to the floor. Lila had her hands up and seemed a bit freaked at what happened. She sputtered and laughed a bit before asking, âWhat the hell just happened?â
âLet me guess.â You said, walking into the room. You leaned into your powers. âElliott watched the Frankel Footage and promptly freaked out, leading to him aiming a loaded gun at you at which Five and Diego disarmed him.â
Five and Diego looked at you with wide eyes. âH-How did you?â Diego asked.
You smirked. âPractice makes perfect after all and god knows Iâve had plenty of enough time for practice.â You turned and walked toward Elliott. âNow, Frankel Footage!â
You all gathered in Elliottâs kitchen. A screen hung in the doorway. Elliott was currently tied up in a chair because he kept freaking out. Poor guy. Diego sat on the counter. Five stood directly next to the projector. Lila sat in a chair next to him, painting Elliottâs toes. You were leaning on the countertop just behind them all.
The footage started.
âIs it on?â A woman asked. The picture was blurry.
âI donât know.â Answered a man, presumably from behind the camera.
The woman came into focus. âWhat do you mean? Thereâs an âonâ button. Just⊠Thereâs something over⊠that jigga-ma-thing, whatever.â The camera lost focus and jostled around. Then, it came into focus on a building.
âI hit the jigga-ma-thing.â
âOkay, well, just⊠Give it to me. I know how to do this.â
âAlright, here. Here. Hurry up.â
âOkay, alright. Letâs seeâŠâ The couple continued to argue about the camera, the image continuing to focus in and out.
âTheyâre so cute.â Lila said. âI love old couples. Iâm always so proud of them for not murdering each other.â
âWhy are we watching this?â Diego groaned.
Five and you both shushed them, your eyes not leaving the screen.
The camera finally focused on the man. âYeah, I⊠Iâm Dan Frankel. AndâŠâ
âIâm Edna Frankel.â She said from off-camera.
âEdna Frankel. We are in Dallas, Texas to see the president.â
You sat up slightly. This was JFKâs assassination.
âTodayâs date is November 22, 1963.â Dan continued.
âWell, thatâs six days from now.â Lila commented.
âHoly shit. This is it.â Diego leaned forward, suddenly a lot more interested. âThe grassy knoll. Kennedyâs about to get shot. How do you have this?â
Five glanced over. âHazel died to get me this footage. It must be the key to stopping doomsday.â
âHazel?â
âLong story.â
âWhatâs doomsday?â Lila asked.
âLonger story.â
âWhat exactly did he say to you?â Diego asked.
âWell, he was killed before he could explain. But whatever he wanted us to see, itâs on this film.â
âThis is very exciting.â Dan said.
Pops â presumably gunshots - echoed. People started screaming. The camera fell, obstructed and blurry for a moment before righting again. The camera focused slightly. A man with an umbrella stood on the grassy knoll.
âOh no.â Five exhaled before whirling the projector back. The whirling stopped and Five pulled the projector back. âIt canât be.â He walked toward it. Diego stood up. Your stomach dropped. Something didnât feel right.
âOkay, you gonna fill me in now, boys? What the hell is this shit weâre watching?â Lila asked.
Diego and Five walked toward the screen. âNo, thatâs impossible.â Diego said.
âClearly, itâs not.â
You had to admit, the grainy image did bear a striking resemblance to your father, but something told you it wasnât him. That that wasnât what Hazel wanted you to see. You stood up and rested your hand against the projector. With a deep breath, you closed your eyes and reached out to the future.
You were standing on the grassy knoll. The Frankels stood next to you, filming.
âThis is very exciting.â Dan said. You looked over at where the presidentâs car was. It just turned. Suddenly, an explosion rocked the ground you were standing on and peopleâs screams were all you could hear.
You yanked your hand back from the projector with a gasp. You stumbled back and grasped onto the countertop. So it wasnât a gunshot youâd heard in the footage. It was an explosion. But where did it come from? What caused it? It obviously caused doomsday. If Kennedy doesnât dieâŠ
Lila was eyeing you strangely. You glared at her and looked back over to your brothers. Diego was sitting on the kitchen table. Five was pacing back and forth in front of the projected image of the Umbrella Man.
âOf course, Dad would be involved in the assassination. I shouldâve known.â Diego said.
âNo, youâre jumping to conclusions.â Five said, clearly trying to keep from panicking.
âWhat else is he doing standing on the grassy knoll,â He stood up, walked over to Five, and pointed at the image, âholding an open black umbrella on a sunny day in Dallas the exact same moment the president gets shot?â He yelled.
Five stopped pacing and looked at him wide-eyed. âIt doesnât look good, I admit.â
âNo, heâs the signalman for the whole goddamn thing.â Diego jumped.
âEasy, Diego. Seriously.â
âNo, it makes sense. This is what Hazel was obviously trying to tell you.â Diego continued. Five, and you, looked at him like he was losing it. âWe have to stop Dad from killing the president.â
âWhat if the president didnât get shot?â You asked.
Diego spun to look at you. âWhat?â
You shrugged. âIâm just saying. We donât see the president actually get shot. And from what happens in the doomsday future, Iâm starting to wonder if whatâs supposed to happen actually happened.â
âY/N, what are you saying?â Five asked.
You sighed and walked over to them. âWe know the timeline changed, right? So what if this was what changed? Kennedy was supposed to die. He doesnât, and somehow that leads to nuclear Armageddon.â You said. It made sense. More than Sir Reginald Hargreeves assassinating JFK, anyway.
âNo, no, that doesnât make any sense. I mean, you heard the gunshot!â Diego argued.
You rolled your eyes. âI heard a loud noise. We donât know if it was a gunshot. It couldâve been an explosion.â
âThat makes no sense.â
You rolled your eyes again and looked to Five for help. Five sighed and looked off, clearly in thought. âEven if youâre wrong and the president was assassinated, Dad didnât have anything to do with it.â He finally looked up at Diego. âDad was no Boy Scout, but presidential assassination? Itâs never been his thing.â
âHow would you know?â Diego shot back ruthlessly. âYou skipped out on his golden years.â
âSkipped out?â Fiveâs eyebrows rose. Anger subtly played on his face. âYou think I had it easy, Diego?â He stepped closer. âI was alone for 45 years.â He paused for a moment and the anger was reigned in. âYou know what? We donât have time for this right now.â He stepped back. âDadâs clearly in Dallas, right? Letâs just go talk to him.â He started pacing again. âMaybe he can help us fix the timeline.â
âIâm strongly against this.â You said, but were promptly ignored.
âDallas is a big place.â Diego said. âWe need to find him first.â
âGee,â Five leaned against the counter, âif only we had some magical, old-timey way of finding people and their addresses.â
You heavy sighed walked over to where Elliott kept his phonebook. You unceremoniously dropped the blue book on the table. It was clear that your brothers were being stupidly stubborn and ignoring the one person in the whole world who had any idea about the future.
âLetâs start simple. His name.â Five said as Diego started flipping through.
âHargreeves⊠Hargreeves⊠HargreevesâŠâ Diego mumbled as he ran his finger down the line of names. âShit, nothing here.â
âTry his company, D.S. Umbrella Manufacturing Co.â
Diego looked at him. âYeah, I know the name.â He flipped some pages. âThanks.â After a few seconds of flipping, he stopped. âHoly shit.â He pointed to a name. âD.S. Umbrella. 82 Olive Street.â He stood up. âLetâs go.â
You walked over and pulled up the projector screen. Diego and Five followed you. Elliott was grunting and trying to talk behind you. As much as you wanted to let him go, you couldnât be sure he wouldnât go to the authorities. Sure, he never really trusted the government and was paranoid as hell, but that didnât mean he wouldnât accidentally put everything in danger.
âHe okay to leave here like that?â Diego asked.
âYeah, heâs fine. What about the girl?â
There was a pause and you turned around. Lila wasnât there. âShit.â Five sighed as Diego walked off to find her.
You walked over to Elliott. âHey, El. Iâm gonna be right back, okay? I promise Iâll explain everything when I get back, but I need you to sit tight and stay calm.â Elliott said something you couldnât understand through his gag. âOkay. Great.â
You walked back over to Five. âHey, after this, Iâve gotta go somewhere.â
Five raised an eyebrow. âWhere?â
âJust a quick errand, promise.âÂ
Diego pulled the car up in front of Hargreevesâ office building. Night had fully settled in. A bad feeling settled in your stomach, one you were inclined to believe.
âThis is it.â Five said, getting out of the car. Diego turned off the engine and the two of you followed Five.
ââD.S. Umbrella.â This is it.â
You were half way to the door when Five stopped. You looked back at him. He was staring at the umbrella symbol on the building.
âFive? You okay?â You asked.
He glanced over at you and then back at the umbrella. âYeah, fine.â He walked over to the door and shook out his hands. âJustâŠâ He sighed.
Diego pulled out a knife and crouched down to the lock. âHow longâs it been since youâve seen the old man?â
â45 years.â
You watched Five carefully. It was going to be hard seeing your father again, for everyone, but especially Five.
âThatâs a trip.â
âNo kidding.â Five leaned against the wall next to the door. No one said anything for a moment. Diego started trying to pick the lock with his knife. âYou know, when I was stuck out there in the apocalypse, there wasnât a day that went by where I didnât hear his voice in my head.â
âWhat was he saying?â You asked softly. Diego muttered and fell back.
ââI told you so.ââ Five responded.
Diego scoffed and looked up at him. âWell, if Dadâs here, heâs never met you before, so he canât say âI told you so.ââ
âIâm sure heâll find a way.â Five said sadly. Your heart felt heavy in your chest for a moment. Five glanced back at the door and the lock. Then, he spatial jumped inside and quickly unlocked it.
âRight.â Diego said. âGotta remember that.â He cleared his throat and stood up.
âThank you.â You said as you walked past Five.
The waiting area looked like it hadnât been occupied in years. Five turned on a lamp. Almost immediately, the lamp turned off again.
âShit.â Diego said. âGuess Dad wasnât much for home dĂ©cor.â
You rolled your eyes. âItâs a front.â
âA front for what?â He asked.
âI donât know.â Five mumbled, looking around.
âWell, Iâll take left.â Diego moved to open the left door. âYell if you, uh⊠get in trouble.â
You sighed and followed Diego. âIâm coming with you.â
Diego and you split into different rooms to cover more ground. The office you walked into wasnât much. In fact, it was completely covered in dust and full of fake things. It was strange, but it wasnât too odd for your father.
A door slammed in the distance. You walked out of the room to see Diego walk toward the door at the end of the room and open it. Footsteps echoed down the hall when he opened it. Diego walked out of the room quickly, before you even had time to catch up.
You reached the door and the second you opened it, you gasped. Your vision didnât turn like normal. Quick glimpses of the near future flashed before your eyes. The sickening sound of Diego getting stabbed made you sick to your stomach.
The second your vision came back to you, you took off running. Diego was nowhere to be seen. Your stomach dropped and you ran as fast as you could. Your instinct tugged you along. In your panic, you forgot about everything other than saving your brother.
You ran into a dimly lit area. The blue light flooding in illuminated where Diego lay. You rushed over.
âDIEGO!â You fell to your knees and instantly pressed on the stab wound in his stomach. He groaned weakly. âStay with me, Di.â Blood flowed through your hands and pooled underneath him. You took a deep breath and lifted your hands up. Then, you snapped your fingers and time froze.
âOkay, I can do this.â You muttered to yourself. You grabbed Diegoâs arm and put it over your shoulders, then slowly started to lift him off the ground. He remained frozen. You let out a breath you didnât realize you were holding. With slower steps than preferable, you managed to get Diego to the entrance of the room.
A figure caught your attention. It was a woman, who was wearing a familiar outfit. Lila. She must have followed you. You sighed and clicked your fingers.
âLila, come here and help me.â You yelled out, shifting your hold on Diego.
She came out with wide eyes. âWhat happened?â
âHe was stabbed because heâs an idiot.â You replied. âNow can you please help me get him back to the car?â
She nodded and ran over to you. She quickly supported Diegoâs other side.
It was quite the struggle to get Diego into Lilaâs stolen car. When you finally got him inside the car, you gestured for Lila to get in the back with him. âPut pressure on his wound. I need to start time again to drive.â
She did as you said and you climbed into the driverâs seat. With the snap of your fingers, time restarted. You started the car. A soft groan came from Diego. You had to get back to Elliottâs ASAP. Your plans to see Klaus were officially on the backburner.
Next Chapter: The Swedish Job
Do not copy to another site. Ask for permission before bookbinding. I EXPLICITLY FORBID ANYONE FROM FEEDING MY FICS TO AI. All rude comments will be blocked and deleted.
Buy me a coffee?
#luther hargreeves imagine#diego hargreeves imagine#allison hargreeves imagine#klaus hargreeves imagine#number five imagine#ben hargreeves imagine#viktor hargreeves imagine#umbrella academy imagine#gn!reader#familial!reader#powered!reader#my fanfic
82 notes
·
View notes
Text
The Umbrella Academy Season 2
Since the second season of The Umbrella Academy is now on Netflix, I have decided to continue my fan fic. The reader is a member of the Umbrella Academy (#8) her powers allow her to become a human fire. Again this is a continuation of the 1st seasonâs fan fic. based on your perspective.
Season 2 Episode 2:Â âThe Frankel Footageâ
Suddenly five appears, he looks at you and smiles. ânice outfit, you look really prettyâ he says as you twirl around. So did you get Diego?â you ask him noticing Diego isnât with him. âno Diegoâs a lost causeâ he says as he ignores your question and looks at the pictures on the wall. âElliot did you develop these photos yourself?â he asks. âof course, you cant exactly drop that stuff off at the neighborhood photo mat, the government has eyes everywhere.â says Elliot as he is eating. âI didnât see a dark room?â asks Five confused. âah yeah I converted the hallway closetâ says Elliot. âcan you develop this?â asks Five as he is handing Elliot a small orange box. âFrankel footage, friends of yours?â asks Elliot as he is looking at the box. âcousins on my robot motherâs side, can you do it or not?â he asks. âsure i canâ says Elliot. âhow long?â asks Five âwell, I mean Iâm running low on acidic acid, and Beekers cameras is open today but itâs two miles away, and iâll have to take the bus, in the other hand Gibsonâs is only 10 blocks away but I gotta cut through the park and there is this other breed of pigeonsâ says Elliot lost in his own thoughts. âElliot?â you question. âitâs like five or six hoursâ he says noticing that Five is losing patience. Suddenly the police radio begins to play. âwhat the hell is a code 315?â asks Five confused. âhmm, fugitives on the runâ says Elliot with a mouth full of food. You quickly get up from the couch as Five is turning up the volume on the police scanner. âoh Diegoâ says Five disappointed. âwhoâs Diego?â asks Elliot. âImagine Batman but aim lower, you get started on that film we will be back as soon as we can, ready?â he asks you and you nod following him out.
He zaps you both inside a car with a Diego and a women. âThen why are you doing this?â she asks him. âbecause he is an idiotâ says Five sounding pissed. âwho the hell are you?â asks the women shocked to see you both in the back seat. âHi Iâm his loving brotherâ says Five with a smirk. âwho left me to rot in a nut houseâ says Diego finally turning around to see you two his expression quickly changed once his eyes meet yours. âto protect you from yourselfâ adds Five. âthatâs quite sweetâ says the lady as she looks at Five. âokay everyone outâ says Diego offended. âlose the crazy lady, and come with us we have important businessâ you say to Diego. âI am not going anywhere with youâ says Diego looking at Five. âokay fineâ says Five as he spots a police officer, he gets his face out the window and calls for the officer. âhey, what are you doing?â says Diego pulling Five back into the car. âI hear there is a reward out for you two.â says Five threatening Diego. âhes bluffingâ says the girl as Him and Five are having a stare down. âheâs not, fine ill go with youâ says Diego finally giving into his demands. âwhat about me?â asks the girl. âAnd Iâm bringing the crazy ladyâ adds Diego looking at you and Five. You look at Five uneasy about bringing the lady along with us. You could tell he wasnât thrilled with it either.
Once we are back at Elliotâs place, Elliot approaches us with a rifle. âwhere did you get the film? the Frankel footage? the truth this timeâ he asks while he is slowly walking towards us. âDo you know this lunatic?â asks Diego while looking at Elliot. âan acquaintance heâs harmlessâ says Five. âare you sure about that?â asks the girl looking at Elliot a bit scared. âAre you or are you not an enemy of the people?â asks Elliot while holding the gun at you four. Diego and Five begin to sarcastically answers the question. âYou move one more muscle and I will blow your brains outâ threatens Elliot. âYou wanna take this or should I?â Diego asks Five. âNo i got him.â says Five. âto lateâ you say as youâve already taken the gun from Elliot and tossing it to Diego, he quickly takes the gun apart. âwhat the hell just happened?â asks the girl confused. Five ties him up and sits him on a chair as you all gather around to see the footage that Elliot had developed. The video was of an old married couple. âThey are so cute I love old couples Iâm so proud of them for not murdering each otherâ she says as she is painting Elliotâs toe nails a gross green you simply roll your eyes at her comment. â why are we watching this?â asks Diego bored. âsshâ says Five, eyes glued to the video. The old man on the video begins to talk into the camera. âIâm Dan Frankel and we are in Dallas Texas to see the president, todayâs date is November 22nd 1963âł says the older man. âThatâs six days from nowâ says the girl as she looks at the video confused. âholy shit this is it, the Grassy Noll, Kennedy is about to get shot, how do you have this?â asks Diego suspiciously. âHazel died to get me this footage, must be the key to stopping dooms dayâ says Five. âwait Hazel died?â you asks him confused. âlong storyâ says Five not wanting to go into details. âwhat is dooms day?â asks the girl. âlonger storyâ says Five again not wanting to go into details. âWhat exactly did he say to you?â questions Diego. âWell he was killed before he could explain, but whatever he wanted us to see, is on this film.â says Five as he is still looking at the video. âOswaldâ says Diego as the gunshots are heard from the film. âwait go backâ you instruct Five as you spot a familiar figure on the screen. Five does as instructed. â This canât beâ says five as moves towards the screen. âare you going to fill me in now boys, what the hell is this shit we are watching?â asks the girl paranoid by the video. You Five and Diego move closer to the screen to take a better look at the man with the black umbrella. âthatâs impossibleâ says Diego. âclearly itâs notâ says Five equally as surprised. âwho is it?â says Elliot through the gag. âdadâ you three say in unison.
âIâll be the first to admit this doesnât look goodâ you say as Five is pacing back and forth. âof course dad was involved in the assassination, I shouldâve knownâ says Diego to himself. âah no your jumping to conclusions.â says Five âThen what the hell else he do standing in the grassy noll, holding an open back umbrella, on a sunny day in Dallas the exact same moment the president gets shotâ says Diego a bit hostile. âit doesnât look good, I admitâ says Five trying to calm Diego down. â No, heâs the signalman for the whole goddamn thingâ says Diego sounding like a crazy conspiracy theory fanatic. âeasy Diego, seriouslyâ says Five trying to put a stop to this nonsense. âno it all makes sense, this is what Hazel was obviously trying to tell you. We have to stop dad from killing the presidentâ says Diego with wide eyes. âah Diego calm downâ you say rolling your eyes at his comment. âAlright, Dad was no boy scout but presidential assassination? Itâs never been his thingâ adds Five. âhow would you know? how would any of you know? You both skipped out on his golden years.â says Diego. You stand up knowing exactly where this was headed. skipped out? You think I had it easy Diego? I was alone for 45 years.â says Five angrily. â you know what we donât have time for this right now can you two cool it?â you say standing in between them both. Five steps back while saying, âdads clearly in Dallas right? letâs just go talk to him, maybe he can help us fix the time line.â he suggest. âDallas is a big place, we need to find him firstâ says Diego. âGee, if only we had some magical, old timey way of finding people and their addresses. âah phone bookâ you say as you place the phone book on the table for them to look through. Diego lightly shoves you out of the way. âletâs start simple, his name.â says Five as Diego is looking through the book. âHargreeves, Hargreeves, Hargreevesâ he whispers while looking. âshit nothing hereâ he says coming up empty. âTry his company, D.S. Umbrella Manufacturing Co.â suggest Five while looking over Diegoâs shoulder. âYeah I know the name.. thanksâ says Diego sarcastically as he flips the pages of the phone book. âholy shit, D.S Umbrella, 82 Olive lets goâ says Diego once heâs found the address.
âHe okay to leave here like that?â questions Diego. âyeah heâs fine, what about the girl?â asks Five in return. âshitâ says Diego realizing the girl is missing. âcouldnât we just leave her somewhere?â you ask but Diego ignores your comment and leaves to look for her. Once he comes back the three of you make your way towards your fatherâs company building. âAlright this is itâ says Five once you arrive. âD.S Umbrella, this is itâ says Diego looking around. âlets goâ you say as you begin to walk up to the door. They follow closely behind, when suddenly five stops. âyou okay?â asks Diego. âyeah fine, just..â says Five with a sigh he looked nervous to say the least. â How long has it been since youâve seen the old man?â asks Diego noticing the hesitation from Five. â45 yearsâ says Five. âThatâs a tripâ says Diego as he begins to pick the lock on the door. âno kidding... you know when I was stuck out there in the apocalypse, there wasnât a day that went by where I didnât hear his voice in my head.â says Five. âWhat was he saying?â you ask curious to hear his answer. âI told you soâ says Five. âWell, if dadâs here, hes never met you before, so he canât say I told you soâ adds Diego trying to console Five. âIâm sure heâll find a way.â says Five before zapping into the other side of the door and unlocking it for us. âright, gotta remember thatâ says Diego a bit annoyed. âokay just goâ you say shoving him inside the building. Once inside you begin to walk through the dark hallways until you come across a little lobby/ waiting room. Five turns on the a lamp that unfortunately turns off almost immediately, âshitâ says Five. âGuess dad wasnât much for home decorâ adds Diego. âfeels more like a frontâ says Five as he punches a couch. âa front for what exactly?â you question looking around. âI donât know.â says Five concerned. âwell Iâll take the left, yell if you uh get in troubleâ says Diego before leaving you and Five alone. Five opens the door on the right side and allows you to walk inside first. You walk in trying to open various doors until you both come across a room filled with mannequins. You look at five for some sort of answer. âwhat is he up to?â he asks himself, when the lights suddenly turn off. âNot goodâ you say worried. You both continue onto another room. Five begins to look through the files on the table. Five finds an envelope. âWhatâs that?â you ask curiously. âItâs an invitation to a gala.â he answers as he shoves it inside his coat pocket. You both suddenly hear clattering behind you, âshit whatâs that?â you ask as you prepare for anything.Five begins to walk towards the sound. Out of the darkness a cute little baby Pogo comes into view. âPogo?â you hear five question as he approaches the little chimp. âPogo itâs good to see youâ says Five as he is about to pet Pogo, the chimp becomes hostile and scratches Fiveâs neck before jumping out the window into the dark city streets. â Five, bro you okay?â you ask him worried. âDiego!â yells Five as you help him up from the ground. âDiego!â you call out as well worried for Five as blood gushes down his neck.
0 notes